How to Design An Audio Logo For Pro Sound Effects
March 15th, 2012 | by PSE
PSE is teaming with AudioDraft to bring forward a fresh opportunity for sound designers. To illustrate how AudioDraft harnesses prize-based
March 15th, 2012 | by PSE
PSE is teaming with AudioDraft to bring forward a fresh opportunity for sound designers. To illustrate how AudioDraft harnesses prize-based
March 2nd, 2012 | by PSE
Next Monday, March 5th, some 20,000 gaming-industry insiders will descend on San Francisco’s Moscone Center for the Game Developers Conference,
February 14th, 2012 | by PSE
By David Sonnenschein, author Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema. Tune into David’s
February 1st, 2012 | by PSE
Industry-Leading Sound Recordist and Game Sound Designer Why Sound Matters Pt. 3: Enhancing the Educational Environment Watch Sound Matters Pt.
January 3rd, 2012 | by Jeremy
By David Sonnenschein, author Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema. Key 3: Description
November 30th, 2011 | by Laura Sinnott
Pro Sound Effects presented SONOPEDIA 2.0 to the winner of the Audio Branding Congress Case Study competition to Wilbert Hirsch
November 23rd, 2011 | by Jeremy
Hey there turkey lovers (and you too, untimely vegetarians)! We here at PSE would love to wish you all a
November 16th, 2011 | by Jeremy
By David Sonnenschein, author Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema. Key 2: Look
November 10th, 2011 | by Jeremy
Public demonstration (peaceful and otherwise) have long been a part of human society. In the face of oppression, unjustice, or
November 4th, 2011 | by Laura Sinnott
The Audio Branding Congress is happening in less than two weeks here in NYC, so I thought I'd hit you readers with some more musings about the topic. I met a super cool cat at AES a while back, Elijah Torn of Massive Music, and asked him for some thoughts about the importance of sonic branding